From the desert to the mountains in one week was quite a contrast. Winter is definitely on the way along the Tioga Pass Road in Yosemite. It was worth braving the cold though for these views from Tuolumne Meadows.
Another supernatural c90 halloween-themed mixtape for super creeps.
"You're traveling through another dimension, a dimension not only of sight and sound but of the mind. A journey into a wondrous land of imagination. Next stop, the Twilight Zone!"
The Ventures, Sonic Youth, Rockwell...
Joshua Tree is a long drive from the Bay Area, but with a spare weekend I took a notion to go down there and try to photograph something different. It wasn’t as fruitful a trip as I planned, but, even with getting a bunch of cactus needles jammed in my leg, I’m still glad I went. It’s always special to see the Milky Way.
Today, up at Point Reyes, I pulled over at the side of the road and got my car firmly stuck in a ditch. Nothing I tried worked and I only succeeded in getting the wheels stuck further. There was no signal on my phone either so I had to walk across a few fields to reach a dairy farm and ask to use their phone. The one person working showed me to the office and I called AAA.
By the time they arrived and pulled me out I was tired, dusty, and frustrated. I was so close to calling it a day and going home, but something told me to keep going, and I’m so glad I did. I saw two norther harriers; one hunting low over a field, the other in a bush. For the second I waited patiently and caught it looking straight at the camera during takeoff. If that hadn’t been enough I came across a herd of elk, and coyote sleeping in a field. He got up, scratched, bathed, and went back to being a badass. Not bad for a day I almost quit on.
On a couple of occasions recently I’ve gone to Point Reyes to see what I could photograph, but it’s been the drive home through Inverness and Nicasio where I’ve been really inspired.
Point Reyes never disappoints. Some days I go up there and all the wildlife in the area comes out to say hello, and sometimes I’m just pausing to take a landscape shot, but even if nothing is leaping out at me it’s still a special place to be for a few hours. Luckily today there was a some inspiring wildlife and landscape opportunities.
A c90 MCMLXIII mixtape for great escapologists.
"Oh, I just sing like I hurt inside."
The Crystals, Doris Troy, The Chiffons...
San Francisco is an amazing city, but my favorite thing about it might be its location. Just drive and hour or two in any direction and you'll stumble across any number of scenic locations. The fact that Pigeon Point Lighthouse in Pescadero isn't even that well know is a testament to how beautiful California is.
This is the best time of year to explore Mount Tam and the Marin Headlands, with fog rolling in almost every day.
A c90 MCMLXXXIII mixtape for vacationers.
"If the writing is honest it cannot be separated from the man who wrote it."
New Order, Aztec Camera, Culture Club...
A c90 MCMXCIII mixtape for groundhogs.
"A mind is like a parachute. It doesn't work if it is not open."
Nirvana, Belly, Manic Street Preachers...
Long before I started my career in design I knew I wanted to work in an agency. It wasn’t even a question. I wanted eclectic, exciting work with consumer-facing clients, so I consider myself fortunate to have worked for boutique agencies in New York and the UK. Not every client was a household name, but every day was challenging and our small, agile teams were never bored. After a decade though, I was curious about other paths and decided to try something new.
Now, on the third anniversary of my tenure with the in-house design team for a B2B tech company, AppDirect, and having been honored to sit on a San Francisco Design Week panel focused on the subject of enterprise design, I’ve been reflecting on both aspects, and the misconceptions I had about this side of the fence.
Going deep with a brand
In agency life we created identities from scratch, breathed life into them, and got them walking. But having a client select your design and releasing it into the wild was often a short-lived thrill. As part of an in-house team we nurture the brand every step of the way and it’s so rewarding to write an ongoing story, not just the introduction.
Living with the consequences of our actions
Good designers always care deeply about building successful brands, but when your touch-points are limited, success in an agency is often measured by having your design accepted and getting paid. In-house we support a sales function and share their success. That doesn’t end once the design is shipped, and the consequences of decisions we make today are our concern long into the future. If you enjoy strategic thinking and directly impacting the health of the business, that’s a challenge you can get your teeth into.
Not being the person we’re designing for
As part of an B2B company, our team market a large product suite to multiple industries. Personas, strategies, and messaging frameworks are incredibly diverse, so design skills like research and testing go hand-in-hand with business and marketing expertise. If you enjoy learning the things they don’t teach you in design school there’s no better place to be.
But, sometimes being the person we’re designing for
The buyer might have a very different persona to anyone on our team, but our brand represents our company, and as an employee there, it represents us. We’re not just designing something that works, we’re invested because we’re expressing ourselves.
Dealing with internal vs. external stakeholders
When the decision makers work in the same office you do, it presents a unique challenge. I assumed that design presentations would theoretically be simpler because you have an established relationship and you know how they think. But the problem is, you have an established relationship and you know how they think. That makes it easy to get caught in the trap of designing something you know will get sign-off, not necessarily the right solution. Continually checking yourself is essential.
Fighting for user experience
Enterprise design is inherently different. As the saying goes, nobody ever got fired for choosing IBM. When that was coined––with the best will in the world––IBM wasn’t the sexy option (although it might be now), it was the safe bet because it worked. That cuts to the heart of the issue that people traditionally bought enterprise software based on features, not user experience, but in a fragmented marketplace there’s more choice than ever and users have a louder voice. As a designer, with the skills to improve user experience, that presents a massive opportunity to impact business success.
Thinking big picture
Design systems are a hot topic at the moment as brands are expected to stretch across every conceivable application with consistency and personality. Establishing brand guidelines isn’t enough; we need pattern libraries, style sheets, and content management systems. Crafting the details is essential, but understanding how they fit into a much larger picture, and then maintaining that system, is where the real challenge lies.
Staying in motion
Just when you think you have your design system in place and there’s a harmony to everything, you remember that a brand is always evolving and done is never the end. You’re not going to get bored in this field.
Raising the bar
Quality design hasn’t been exclusive to consumer-facing businesses for a long time. Take a look at any successful B2B company and you’ll find impressive, creative design at its core. In a world where analytics and user experience count, enterprise design is finding it’s voice. There’s no room for excuses, just opportunities.
Even if everything else here fails to convince you that enterprise and in-house design positions have more than enough to keep you interested––and we all have days when it’s hard to maintain enthusiasm––there’s always your team. Having people around you on the same mission is a great boost when you’re in the trenches. If you need ideas on how to foster that kind of support I recommend checking out this article by Samantha Salvaggio.
I’d never steer a new designer away from exploring agency life. To bust out all the clichés, it really is a trial by fire and a great way to cut your teeth, but just sometimes, the grass actually is greener on the other side of the fence.
In all the time I've been exploring the Marin Headlands I can't believe I'd never visited Muir Beach Overlook before. This is a location I'll be visiting again.
Monterey might be a tourist trap, but there's a reason. The landscape all down the coast is just stunning, and the animals who live there are incredible. My favorite thing, however, is the way the ocean clouds often diffuse the sunlight and cast everything in a dreamy haze.
Pinnacles isn't, at first glance, the most picturesque of National Parks. The rock formations are often bleached in the sunlight, and the caves have challenging light conditions for photography. And while the condors are truly amazing creatures, they have the kind of faces only a mother could love. But as the sun goes down and the animals appear it's a fun place to be, and when the stars fill the night sky, it's awe-inspiring.
A c90 MMIV mixtape for Anchormen.
I must have visited Rodeo Beach ten to twenty times to take photos, and it seems like every time I go there's more photographers setting up tripods with the same hope of capturing something special. It's always fascinating to see what everyone is doing differently to get the image that appeals to them.
For me though, the most interesting thing is how it changes over time. The tide might be high or low, the weather clear or not, and the sun setting in a different spot. At certain times of year the sea seems to dump much more sand around the rocks than at others, so even the makeup of the landscape changes frequently. It makes it worth returning to old haunts.
Sometimes it's great to just take photos with no agenda: landscapes, wildlife, old places or new. Leaving the house with no expectations of taking any photos is like hitting the reset button.
A c90 MCMLXIV mixtape for strange lovers.
The more time I spend photographing wildlife the more I enjoy it, but what constitutes a good shot is evolving. At first I was just excited to see the animals in the wild and a photograph was a just a bonus to prove I witnessed it. Getting a shot that was well composed and in focus was obviously the next step up. And soon I was interested in capturing some of their environment too, highlighting how natural and adapted they were to their surroundings. But now I'm focused on characteristics and behavior.
Learning more about their behavior and studying their character not only reveals more personality, it allows you to predict how best to compose the shot or when the best time to hit the shutter will be. When I learned that herons also hunted on land I knew to wait patiently until it pierced the ground and came up with a gopher in it's beak. Knowing how a coyote moves made me think of composing it sneaking through the grass, partially hidden. And in return I now want to learn more about the animals I'm photographing so I can improve every time.